As Radio 1’s champion of electronic music’s extremities,
Mary Anne Hobbs proves the licence fee isn’t only frittered away on Jonathan Ross. This compilation strays into beardy territory with the fractured hip-hop of
Mike Slott and the
Fennesz-esque strummings of
Sunken Foal standing out among the forests of Warp-informed electronica. But from
Rustie’s rootless
‘Zig-Zag’ recreating the feeling of too much weed and Red Stripe to the garage-indebted playoff between rubbery bassline and skittish 16-bit flourishes of
Brackles’ ‘LHC’, there’s enough gut-smashing mid-range dollops to make ‘Wild Angels’ an essential briefing on the current state of bass music.
Louise Brailey
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here to get your copy of 'Mary Anne Hobbs Presents Wild Angels' from the Rough Trade shop now.
7 out of 10
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